Conductors have to try to help the composer

But a masterpiece comes when you must be convinced that’s a masterpiece, and I make sure that’s a masterpiece. If you play a very boring performance of the Glazunov Number Six or Number Seven, people will be saying it’s not a masterpiece. You must convince them that’s a masterpiece, and there’s a lot of masterpieces which people don’t know. It’s my idea that we should not to be with only this great stuff of repertoire, which basically everyone conducts. You know them exactly and you love them, [...]